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Paper Title:
Echoes of the Silent Page: Representations of Unwritten Histories in Contemporary Postcolonial Fiction with Special Reference to Amitav Ghosh's The Shadow Lines and Salman Rushdie's Midnight's Children
Abstract - This paper examines unwritten histories in postcolonial fiction through Salman Rushdie's Midnight's Children (1981) and Amitav Ghosh's The Shadow Lines (1988). Rushdie expresses himself through magical realism and "chutnification," relating it to a process of pickling fragmented memories to counterbalance colonial and Nehruvian narratives. Saleem's telepathic link personifies collective resistance. Ghosh melts borders, tracing the riots of 1964 and Partition trauma through non-linear narrative and post memory. Intertextuality reinvokes indigenous archives, Rushdie fuses Kathasaritsagara with Western forms, while Ghosh excavates micro-histories through folklore. Stylistically, Rushdie's carnivalesque excess upends the hierarchy, while Ghosh's silences perform slow violence. Both authors turn erased voices into dynamic archives that would influence contemporary works by Roy, Powers, and Bulawayo amidst neoliberal and climatic silences.
"Echoes of the Silent Page: Representations of Unwritten Histories in Contemporary Postcolonial Fiction with Special Reference to Amitav Ghosh's The Shadow Lines and Salman Rushdie's Midnight's Children", International Journal for Research Trends and Innovation (www.ijrti.org), ISSN:2455-2631, Vol.10, Issue 11, page no.a601-a605, November-2025, Available :http://www.ijrti.org/papers/IJRTI2511072.pdf
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ISSN:
2456-3315 | IMPACT FACTOR: 8.14 Calculated By Google Scholar| ESTD YEAR: 2016
An International Scholarly Open Access Journal, Peer-Reviewed, Refereed Journal Impact Factor 8.14 Calculate by Google Scholar and Semantic Scholar | AI-Powered Research Tool, Multidisciplinary, Monthly, Multilanguage Journal Indexing in All Major Database & Metadata, Citation Generator