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The post-World War II era presented a distinctive historical and political context for Indian cinema's evolution. During this period, cinematic neo-realism emerged as a transformative artistic movement, offering a path toward cultural renaissance in the aftermath of two monumental events: India's decolonization and partition, coupled with the war's devastating impact. Contemporary intellectuals and filmmakers increasingly recognized neo-realism as the most compelling artistic direction for the era. The paradigmatic portrayal of the artist's evolved role in neo-realist cinema, exemplified by the internationally celebrated film Bicycle Thieves (De Sica, 1948), resonated deeply with Indian intellectual circles as a blueprint for cultural renewal. This research examines the manifestations and stylistic influences of neo-realism within the multifaceted landscape of Indian cinema. The investigation employs a dual methodological framework, incorporating both intertextual analysis and examination of critical writings that reveal cinema theories and perspectives evidently shaped by neo-realist ideological principles and creative approaches.
Keywords:
Cinema, India, Neo-realism, Narrative, Post-Independence
Cite Article:
"Shaping Narratives: Neo-Realism in Indian Cinema Post-Independence", International Journal of Science & Engineering Development Research (www.ijrti.org), ISSN:2455-2631, Vol.9, Issue 11, page no.309-316, November-2024, Available :http://www.ijrti.org/papers/IJRTI2411035.pdf
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ISSN:
2456-3315 | IMPACT FACTOR: 8.14 Calculated By Google Scholar| ESTD YEAR: 2016
An International Scholarly Open Access Journal, Peer-Reviewed, Refereed Journal Impact Factor 8.14 Calculate by Google Scholar and Semantic Scholar | AI-Powered Research Tool, Multidisciplinary, Monthly, Multilanguage Journal Indexing in All Major Database & Metadata, Citation Generator